Une des principales sources de renseignements sur sa vie est la biographie rédigée par son ami le comte de Caylus. Il est un des premiers représentants du mouvement rococo. [23] If his immediate followers, Lancret and Pater, would depict the unabashed frillery of aristocratic romantic pursuits, Watteau in a few masterpieces anticipates an art about art, the world of art as seen through the eyes of an artist. Antoine Watteau - Antoine Watteau - Watteau’s Cythera. His painterly language is an elegant camouflage of strong emotion by kindly sentiments and gentle manners. Sir Michael Levey once noted that Watteau "created, unwittingly, the concept of the individualistic artist loyal to himself, and himself alone". 1718, private collection, The Love Song, ca. [10] At the palace, Watteau was able to see the magnificent series of canvases painted by Peter Paul Rubens for Queen Marie de Medici. Jean-Antoine Watteau was the innovative artist who extended Rococo beyond architecture, interior design and sculpture to the canvas. For the fictional character, see. According to the 1911 Britannica, "in his treatment of the landscape background and of the atmospheric surroundings of the figures can be found the germs of Impressionism". In Valenciennes he painted a number of the small camp-pieces, notably the Camp-Fire, which was again bought by Sirois, the price this time being raised to 200 livres. In contrast to the Rococo whimsicality and licentiousness cultivated by Boucher and Fragonard in the later part of Louis XV's reign, Watteau's theatrical panache is usually tinged with a note of sympathy, wistfulness, and sadness at the transience of love and other earthly delights. Although his mature paintings seem to be so many depictions of frivolous fêtes galantes, they in fact display a sober melancholy, a sense of the ultimate futility of life, that makes him, among 18th century painters, one of the closest to modern sensibilities. [4], During this period Watteau painted The Departing Regiment, the first picture in his second and more personal manner, showing influence of Rubens, and the first of a long series of camp pictures. Jean-Antoine Watteauwas born in the Valenciennes region north of France. The elder Watteau forbid his son permission to visit the workshop of the village painter. It has been compared with Las Meninas as a meditation on art and illusion. The Watteau dress, a long, sacklike dress with loose pleats hanging from the shoulder at the back, similar to those worn by many of the women in his paintings, is named after him. Il est mort le 1 janvier 1721. 1716–1717, Nationalmuseum, Stockholm, Les Plaisirs du Bal, ca. 1717–1720, Metropolitan Museum of Art, New York, Quellnymphe, ca. Upload Missing Images. In fact he had been sickly and physically fragile since childhood. C'est un des plus grands représentants du rococo, il a produit près de 700 tableaux.Ses sujets favoris sont les paysages, le romantisme et les fêtes. and Mezzetin. Jean-Antoine Watteau is credited with extending the bounds of the Rococo era beyond architecture, furniture and sculpture and into painting. [1] Watteau left for Paris in 1702. Style de peinture. Watteau was born in the town of Valenciennes in 1684. His father, a master tiler, was a violent man and perhaps this had a formative effect on his son. In 1702 he left his hometown for the French capital Paris. 1711, Prado Museum, Madrid. Since 2000 a Watteau centre has been established at Valenciennes. His father was a master tiler of Flemish descent. Showing an early interest in painting, Jean-Antoine may have been apprenticed to … Le reste ne s'appuie que sur les témoignages, parfois contradictoires, de ses contemporains, sans qu'il ait été possible de les valider par des documents d'archive. In 1720, he travelled to London, England, to consult Dr. Richard Mead, one of the most fashionable physicians of his time and an admirer of Watteau's work. 1720–1721, Charlottenburg Palace, Berlin. [30], Marriage Contract and Country Dancing, ca. [4] This helped disseminate his influence round Europe and into the decorative arts. Il est un des créateurs représentants du mouvement rocaille. Watteau was born in October 1684 in the town of Valenciennes which had recently passed from the Spanish Netherlands to France. 1715, Museum of Fine Arts, Boston, Mezzetino, ca. Par la suite, le peintre aura la possibilité détudier toute une série de toiles baroques de Rubens, qui le marquent profondément. Son goût pour les personnages de théâtre et les fêtes galantes trouve probablement ses racines dans cet apprentissage. Antoine Watteau (Jean-Antoine Watteau; Valenciennes, Francia, 1648 - Nogent-sur-Marne, id., 1721) Pintor francés. Son père, souvent querelleur, boit volontiers et se montre violent, ne devant probablement pas épargner à ses fils des coups, ce qui peut expliquer le repli intérieur du jeune Jean-Antoine et une phtisie précoce, l'influence de cette maladie se retrouvant dans le psychisme et dans les tableaux du peintre . Watteau is credited with inventing the genre of fêtes galantes, scenes of bucolic and idyllic charm, suffused with a theatrical air. [16], Watteau then went to live with the collector Crozat, who eventually on his death in 1740 left around 400 paintings and 19,000 drawings by the masters. En 1717 il présenta son morceau de réception, le fameux \"Pèlerinage à lîle de Cythère\" , toile mélancolique et mystérieuse. It has been described as Watteau's Las Meninas, in that the theme appears to be the promotion of art. [10], In 1709, Watteau tried to obtain a one-year stay in Rome by winning the Prix de Rome from the Academy, but managed only to get awarded with the second prize. Watteau determined to leave him, advancing as excuse his desire to return to Valenciennes. Louis Joseph Watteau meurt le 27 août 1798 (10 fructidor de l'an VI) dans son logement de l'école centrale de Lille, rue des Arts. The gallery and street in the canvas are fused into one contiguous drama. Among his most famous paintings, beside the two versions of the Pilgrimage to Cythera (one in the Louvre, the other in the Schloss Charlottenburg, Berlin), are Pierrot (long identified as "Gilles"), Fêtes venitiennes, Love in the Italian Theater, Love in the French Theater, "Voulez-vous triompher des belles?" [10][15] He took those five years to deliver the required "reception piece", but it was one of his masterpieces: the Pilgrimage to Cythera, also called the Embarkation for Cythera. Since 2000 a Watteau centre has been established at Valenciennes by Professor Chris Rauseo. The Abbé said Watteau was semi conscious and mute during his final days, clutching a paint brush and painting imaginary paintings in the air. For further discussion of Watteau's early years in Paris, see. Jean-Antoine Watteau Biography October 10, 1684, supposed day of Watteau’s birth, is actually the date he was baptized at the church of St. Jacques in Valenciennes. [24] Famously, the Victorian essayist Walter Pater wrote of Watteau: "He was always a seeker after something in the world, that is there in no satisfying measure, or not at all."[25]:414. (From Wikipedia), Copyright © 2002-2017 jean-antoine-watteau.org, This website is licensed under a Creative Commons License, This website is licensed under a Creative Commons LicenseCopyright © 2002-2017 jean-antoine-watteau.org, Jean-Antoine Watteau Biography | Life, Paintings, Influence on Art | jean-antoine-watteau.org, Order a Hand-Painted Reproduction of this Painting. In 1984 Watteau societies were created in Paris and London. [22] Sir Michael Levey once noted that Watteau "created, unwittingly, the concept of the individualistic artist loyal to himself, and himself alone". [4] In 1726 and 1728, Jean de Jullienne published suites of etchings after Watteau's drawings, and in 1735 he published a series of engravings after his paintings, The Recueil Jullienne. Watteau's silvery sketches depict three studies of the same model. Très choyé de son temps par un petit groupe d'admirateurs, auréolé d'une légende romantique par le xixes., Watteau demeure de nos jours presque un inconnu malgré les prix fabuleux atteints par ses toiles ou le moindre de ses dessins. Among his most famous paintings, beside the two versions of the Pilgrimage to Cythera, one in the Louvre, the other in the Schloss Charlottenburg, Berlin, are Pierrot (long identified as "Gilles"), Fêtes venitiennes, Love in the Italian Theater, Love in the French Theater, "Voulez-vous triompher des belles?" Additional Physical Format: Online version: Séailles, Gabriel, 1852-1922. Showing an early interest in painting, Jean-Antoine may have been apprenticed to Jacques-Albert Gérin, a local painter, and his first artistic subjects were charlatans selling quack remedies on the streets of Valenciennes. The scene is an art gallery where the façade has magically vanished. Watteau was born in October 1684 in the town of Valenciennes which had recently passed from the Spanish Netherlands to France. On se perd dans les détails parfois contradictoires de sa biographie, dans l'histoire complexe de ses relations, parfois orageuses, avec ses amis, ses condisciples, ses maîtres et ses protecteurs, complexité qui reflète l'instabilité de son caractère et de son humeur. Watteau's influence on the arts (not only painting, but the decorative arts, costume, film, poetry, music) was more extensive than that of almost any other 18th-century artist. Antoine Watteau, in full Jean-Antoine Watteau, (born Oct. 10, 1684, Valenciennes, France—died July 18, 1721, Nogent-sur-Marne), French painter who typified the … Jean-Antoine Watteau Biography (1684-1721) A French rococo artist whose charming and graceful Watteau paintings show his interest in theater and ballet, Jean-Antoine Watteau is probably best known for his fetes gallants. In contrast to the Rococo whimsicality and licentiousness cultivated by Boucher and Fragonard in the later part of Louis XV's reign, Watteau's theatrical panache is usually tinged with a note of sympathy, wistfulness, and sadness at the transience of love and other earthly delights. Watteau alarmed his friends by a carelessness about his future and financial security, as if foreseeing he would not live for long. Jean-Antoine Watteau (UK: /ˈwɒtoʊ/, US: /wɒˈtoʊ/,[2][3] French: [ʒɑ̃ ɑ̃twan vato]; baptised October 10, 1684 – died July 18, 1721)[4] was a French painter and draughtsman whose brief career spurred the revival of interest in colour and movement, as seen in the tradition of Correggio and Rubens. Watteau's influence on the arts (not only painting, but the decorative arts, costume, film, poetry, music) was more extensive than that of almost any other 18th-century artist. A revived vogue for Watteau began in Europe during the Victorian era and was later encapsulated by the Goncourt brothers and the World of Art. Audran was the curator of the Palais du Luxembourg, where Watteau was able to see the magnificent series of canvases painted by Peter Paul Rubens for Queen Marie de Medici. [14] In 1712 he tried again and was persuaded by Charles de La Fosse that he had nothing to learn from going to Rome; thanks to Fosse he was accepted as an associate member of the Academy in 1712 and a full member in 1717. 1987. The Watteau dress, a long, sacklike dress with loose pleats hanging from the shoulder at the back, similar to those worn by many of the women in his paintings, is named after him. Watteau returned to France and spent his last few months on the estate of his patron, Abbé Haranger, where he died in 1721 perhaps from tuberculous laryngitis at the age of 36. 1684-1721 Jean-Antoine Watteau est né à Valenciennes en 1684 dans une famille de maîtres-couvreurs. Watteau's final masterpiece, the Shop-sign of Gersaint, exits the pastoral forest locale for a mundane urban set of encounters. 1716–1718, Gemäldegalerie, Berlin, Actors of the Comédie-Française, between 1711–1718, Hermitage Museum, Saint Petersburg, Fêtes Vénitiennes, ca. [26] A revived vogue for Watteau began in England during the British Regency, and was later encapsulated by the Goncourt brothers in France (Edmond de Goncourt having published a catalogue raisonné in 1875) and the World of Art union in Russia. His father, Jean-Philippe Watteau, was a roofer given to brawling. His father, Jean-Philippe Watteau, was a roofer given to brawling. The Flemish painter would become one of his major influences, together with the Venetian masters that he would later study in the collection of his patron and friend, the banker Pierre Crozat. Ceres (Summer), c. 1717–1718, National Gallery of Art, Washington, D. C. "Watteau" redirects here. The painting may be read as Watteau's wry comment on his mortal illness. His father was a tiler, who expected his son to become a carpenter or a tiler like himself. Afterward he moved to the workshop of Claude Audran III, an interior decorator, under whose influence he began to make drawings admired for their consummate elegance. There he found employment in a workshop at Pont Notre-Dame, making copies of popular genre paintings in the Flemish and Dutch tradition; it was in that period that he developed his characteristic sketchlike technique. The oil painting shows an actor playing a guitar on a stone bench looking across at a couple locked in an amorous embrace. He revitalized the waning Baroque style, shifting it to the less severe, more naturalistic, less formally classical, Rococo. Gowing, Lawrence, and Michel Laclotte. Painted at Watteau's own insistence, "to take the chill off his fingers", this sign for an art shop in Paris is effectively the final curtain of Watteau's theatre. 1718, Getty Center, Los Angeles, La Boudeuse, ca. Quant à la chron… Watteau was a prolific draftsman. He took five years to deliver the required "reception piece," but it was one of his masterpieces: the Pilgrimage to Cythera, also called the Embarkation for Cythera. The action is watched by a small dog in the corner. 1718–1719, National Galleries of Scotland, Edinburgh, The Love Lesson, ca. 1711–1712, Thyssen-Bornemisza Museum, Madrid. The Abbé said Watteau was semi-conscious and mute during his final days, clutching a paint brush and painting imaginary paintings in the air.[21]. His father, Jean-Philippe Watteau, was a roofer given to brawling. En 1709, Watteau remporte le second prix de Rome. and Mezzetin. Il commence son apprentissage de peintre à l’âge de dix ans chez Jacques-Albert Gérin, peintre valenciennois. Turner was among his admirers. [19] The scene is an art gallery where the façade has magically vanished, and the gallery and street in the canvas are fused into one contiguous drama. A la mort de Gérin, en 1702, Watteau s’installe à Paris et poursuit ses études chez un graveur et décorateur de théâtre, Claude Gillot. Viewed from left to right, she is first seen seated in a wooden chair, playing a guitar. Since he was a novice in the industry, H… [13][4], After a quarrel with Gillot, Watteau moved to the workshop of Claude Audran III, an interior decorator, under whose influence he began to make drawings admired for their consummate elegance. WATTEAU, ANTOINE (1684-1721), French painter, was born in Valenciennes, of humble Flemish origin. Watteau returned to France, spending six months with Gersaint,[17] and then spent his last few months on the estate of his patron, Abbé Haranger, where he died in 1721, perhaps from tuberculous laryngitis, at the age of 36. His buyers were bourgeois such as bankers and dealers. Showing an early interest in painting, he was apprenticed to Jacques-Albert Gérin, a local painter. [18], Watteau's final masterpiece, the Shop-sign of Gersaint, exits the pastoral forest locale for a mundane urban set of encounters. [11][12] In Gillot's studio Watteau became acquainted with the characters of the commedia dell'arte (which moved onto the théâtre de la foire following the Comédie-Italienne departure in 1697), a favorite subject of Gillot's that would become one of Watteau's lifelong passions. Jean-Antoine Watteau was born in the Flemish town of Valenciennes, which had just been annexed by the French king Louis XIV. Watteau was born in October 1684[a] in the town of Valenciennes[1] which had recently passed from the Spanish Netherlands to France. The French painter Antoine Watteau was the catalyst of the Regency period of the rococo style. Instead, he was sent to apprentice with painter Jacques Albert Gerin. [17] His influence on later generations of painters may have been less apparent in France than in England, where J.M.W. Watteau was born in the Flemish town of Valenciennes, which had just been annexed by the French king Louis XIV. Watteau, Jean-Antoine - Les Plaisirs du Bal - Google Art Project (detail, the lady in black dress, the boy servant, and the dog).jpg 729 × 731; 328 KB Watteau, Jean-Antoine - Les Plaisirs du Bal - Google Art Project.jpg 4,625 × 3,697; 7.38 MB His many imitators, such as Nicolas Lancret and Jean-Baptiste Pater, borrowed his themes but could not capture his spirit. Cette page fournit une liste de tableaux du peintre français Jean-Antoine Watteau, plus connu sous le nom d’Antoine Watteau (1684-1721). Antoine Watteau was born on Oct. 10, 1684, in Valenciennes, the son of a prosperous roof tiler. A catalogue raisonné of Watteau's drawings has been compiled by Pierre Rosenberg and Louis-Antoine Prat, replacing the one by Sir Karl Parker and Jacques Mathey;[27] similar projects on his paintings are undertaken by Alan Wintermute[28] and Martin Eidelberg,[29] respectively. Vers 1707-1708 il entre chez Claud… Trois ans plus tard, en 1712, il postule de nouveau. 1684, Valenciennes, d. 1721, Nogent-sur-Marne) in the Web Gallery of Art, a searchable image collection and database of European painting, sculpture and architecture (200-1900) In 1984 Watteau societies were created in Paris, by Jean Ferré, and London, by Dr. Selby Whittingham. Painted at Watteau's own insistence, "in eight days, working only in the mornings ... in order to warm up his fingers",[19] this sign for the shop in Paris of the paintings dealer Edme François Gersaint is effectively the final curtain of Watteau's theatre. Biography. According to Konody's critical assessment in the Encyclopædia Britannica Eleventh Edition, in part, "in his treatment of the landscape background and of the atmospheric surroundings of the figures can be found the germs of Impressionism". Jean-Antoine Watteau est le deuxième des quatre fils de Jean-Philippe Watteau (1660-1720), maître-couvreur, marchand de tuiles, et de Michelle Lardenois (1653-1727). [4] The quality of the reproductions, using a mixture of engraving and etching following the practice of the Rubens engravers, varied according to the skill of the people employed by Jullienne, but was often very high. He was the son of Jean-Philippe Watteau, master roofer and carpenter, who knew how to read and write, and was officially registered as … Interestingly, while Watteau's paintings seem to epitomize the aristocratic elegance of the Régence (though he actually lived most of his short life under the oppressive climate of Louis XIV's later reign), he never had aristocratic patrons. The Italian Comedians, ca. Antoine Watteau was born on Oct. 10, 1684, in Valenciennes, the son of a prosperous roof tiler. Une petite poignée d'éléments précis jalonnent la biographie de Watteau. His nephew, Louis Joseph Watteau, son of Antoine's brother Noël Joseph Watteau (1689–1756), and grand nephew, François-Louis-Joseph Watteau, son of Louis, followed Antoine into painting. However, London's damp and smoky air offset any benefits of Dr. Mead's wholesome food and medicines. The subject of his hallmark painting, Pierrot or Gilles, with his slowly fading smile, seems a confused actor who appears to have forgotten his lines; he has materialized into the fearful reality of existence, sporting as his only armor the pathetic clown costume. Such a comprehensive record was hitherto unparalleled. Little known during his lifetime beyond a small circle of his devotees, Watteau "was mentioned but seldom in contemporary art criticism and then usually reprovingly".